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John Alton (born Johann Jacob Altmann; October 5, 1901 – June 2, 1996) was an American cinematographer of Hungarian-German origin. Alton photographed some of the most famous film noir of the classic period and won an Academy Awards for the cinematography of An American in Paris (1951), becoming the first Hungarian-born person to do so in the cinematography category. He also worked as a director during the Golden Age of Argentine cinema.
He returned to Hollywood in the late 1930s, and shot 30 B-movies in seven years, mostly for Republic Pictures and RKO. He then worked with director Anthony Mann to make T-Men (1947) and became one of the most sought-after cinematographers of the time Steeman, Albert . Internet Encyclopedia of Cinematographers, "John Alton page", Rotterdam, The Netherlands, 2007. Last accessed: December 13, 2007. being known for unconventional camera angles—especially low camera shots. His style is most notable in the films noir: He Walked by Night (1948), The Amazing Mr. X (1948), Raw Deal (1948) and The Big Combo (1955).
Alton also photographed many color movies including Slightly Scarlet (a color film noir). He worked with Vincente Minnelli at MGM for 10 years including on Father of the Bride (1950) and An American in Paris (1951), for which he won the Academy Award for Best Color Cinematography with Alfred Gilks. He also worked multiple times with Richard Brooks including on Battle Circus (1953) and The Brothers Karamazov (1958).
Alton resigned from the American Society of Cinematographers (ASC) in January 1944, reportedly due to conflicts with ASC founding member and MGM camera department head John Arnold. He was reinstated at his request less than a year later, with the help of Leon Shamroy, but ended up resigning a second and final time in March 1954 after a personal dispute with the president.
Alton's last film was Elmer Gantry (1960). He worked with director Charles Crichton on Birdman of Alcatraz (1962) but both were fired after two weeks and Alton quit the industry.
Sources:Goble, Alan. The Complete Index to World Film, since 1885. 2008. Index home page.Steeman, Albert. Ibid.
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Other honors
Television
In 1966, Alton shot the for , which became a successful television series.
Book
Alton wrote Painting with Light (1949), one of the first books written by a working studio cinematographer. The book put forth several controversial theories for the day, such as depth is created by placing the brightest object in the scene furthest from the camera, and that studio lighting must always simulate natural light in texture and direction. It addresses both conventional and unconventional methods of studio motion-picture lighting. Despite the vast technical advances achieved within the motion picture industry much of the content is still pertinent. Painting with Light (1949) contains essential reading for any budding filmmaker with detailed information and ideas for lighting several difficult interior and exterior setups and situations. The table of contents includes chapters such as "Mystery Lighting", "Special Illumination", and "Visual Symphony".
Personal life
After quitting the movie industry, Alton and his wife Rozalia kept out of the public eye and traveled the world until the early 1980s living in Europe, South America, South Africa and Asia. They met while he was in Argentina and were married for 55 years until her death. In 1986, he married Billie, who died in the early 1990s.
Death
John Alton died June 2, 1996 in Santa Monica, California. He was 94.
Filmography
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